NANKOKU HIDAI ›
BIBLIOGRPHY IN FOREIGN LANGUAGES (in chronological order)
BIBLIOGRPHY IN FOREIGN LANGUAGES (in chronological order)
- 1956
- Statler, O. : “Tokyo Galleries Now Showing Three Exhibitions of Prints," Asahi Evening News, 0ct. 5, 1956.
- 1958
- Fujisawa, I. : ” Turning Oldest Art into Newest,” Yomiuri Japan News, June 28, 1958.
- Hidai, N. : “Calligraphic Art," Todays Japan, Cross Continent Co., Oct, 1958.
- 1959
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Hammacher, A.M.: “Traditie en Vernieuwing in de Japanse Kunst,” Catalogue, Rijksmuseum Kröller-Müller, Otterlo, 1959.
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Tominaga, S. : “V. Biennial of the São Paulo Museum of Modern Art,” Catalogue, Japan International Art Council, 1959,
- 1960
- 0akland Tribune. : “ Notes on Bay Area Arts and Artists”, Oct. 9, 1960.
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O’Hanlon, A. : “Nankoku Hidai: Abstract Calligraphy,” Catalogue, M.H. de Young Memorial Museum, San Francisco, 1960,
- Wallace, D. : "New Abstract Style from Japan,” San Francisco Sunday Chronicle, Oct. 2, 1960.
- 1961
- Barr, Jr. A.J. : “Painting and Sculpture Acquisitions,” Catalogue, The Museum of Modern Art, New York, 1961,
- Grilli, E. : "Oriental Ink in New Transformations,” Japan Times, Dec. 4, 1961. O'Hanlon, A. : “Nankoku Hidai: Abstract Calligraphy,” Catalogue, Mi Chou Gallery, New York City.
- 1962
- Schaarschmidt-Richter, I. : “Sinn und Zeichen: Kalligraphien Japanischer Meister der Gegenwart,” Catalogue, Mathildenhöhe, Darmstadt, 1962.
- 1963
- Adlow, D. : “The Home Forum," Christian Science Monitor, Mar. 2, 1963.
- Grilli , E. : “Modern Japanese Calligraphic Painting,” Catalogue, Museum of Modern Art and Design in Australia, Melbourne, 1963.
- Schaarschmidt-Richter, I. :“Ostasiatische Schriftzeichen: Ostasiatische Schreiben,” Schrift und Bild, ,Staatlichen Kunsthalle, Baden-Baden, 1963.
- 1964
- Canady, J. : "18 Abstractionists: Contemporary Japanese Painting at the Corcoran Gallery ls Impressive," New York Times, Oct.5, 1964.
- Cheek, L. : “Japanese Art Led Painter to New Form," Washington Post, Nov. 30, 1964.
- Grilli, E. : Contemporary Japanese Painting, Catalogue, the Corcoran Gallery of Art, Washington D.C., 1964.
- 1965
- Grilli, E. : “ Hidai : Ancient Ink in a New Guise," New York Times, Jan. 31, 1965,
- Independent Press : “Japanese Calligrapher to Lecture,” and“Brush Writing Course Offered at Art Center," Summit, N.J. Feb.10, 1965,
- 1966
- Bowie, T. :“East-West in Art," Indiana University Press, Bloomington & London, 1966.
- 1967
- Japan Times : “3 Artists of Note Showing Latest Work," Mar. 1, 1967.
- Owyang, N. : Contemporary Japanese Abstract Calligraphy, Catalogue, Emily Lowe Gallery, Hofstra University, Hempstead, 1967.
- Yomiuri : Japanese Calligraphy," Mar.10, 1967.
- 1970
- Contemporary Trends, Comprehensive Catalogue, Vol.V., Expo Museum of Fine Arts, Osaka, 1970.
- 1971
- Schaarschmidt-Richter, I. : “West-östliche Begegnung: Eine Ausstellung in der Galerie Lambrette," Frankfurter Allgemeine Zeitung, May 5, 1971.
- 1975
- Zavattero, H. :“A Calligrapher ‘Must Cultivate His Inner Being,″ Asahi Evening News, Apr. 21, 1975.
LIFE − ARTIST OF SPIRIT LINE WORKS NANKOKU HIDAI −
1. PROLOGUE
2. HIS FATHER ; TENRAI AND HIS FOLLOWERS
3. IS THIS A SHO ?
4. THIS IS THE SHO.
5. THE MYSTERIOUS INK
ー IN 1945, NANKOKU HIDAI WROTE THE FIRST ABSTRACT WORK IN THE HISTORY OF CALLIGRAPHY . HIS ART OF LINE IMPACTED ON THE WORLD. HIS WORKS WERE COLLECTED BY SUCH PUBLIC MUSEUM AS MOMA. THIS SITE INTRODUCES THE WHOLE ACTIVITY OF NANKOKU. ー
