「vol.17 ニューヨーク ニューヨーク1」掲載のスケジュール表は、もともとは英語で書かれていたものを、今回の掲載にあたり翻訳したものである。
ここに原文を紹介し補足とする。
| Time: | Tuesdays, 3 P.M.－5 P.M., or 7P.M.－9P.M., from April 10 through June 19, 1962. |
| Place: | International House of Japan. 2 Toriizaka-machi, Azabu, Minato-ku, Tokyo, Tel: 401-9151. |
| Teacher: | Nankoku Hidai |
| Notes: | The first Lecture is free, open to the public, as a test lesson. |
| No. | Date(Room) | Detailed program |
| 1 | Apr.10 (Eve. only) | Lectures: |
| (Room－D) | Outline of the art of calligraphy | |
| Summary of the history of calligraphy | ||
| Practice: | ||
| Training of radical strokes (1) | ||
| 2 | Apr.17 | Lecture: |
| (Room－B) | About the tools for calligraphy (brush, grinding－stone etc.) | |
| Practice: | ||
| Training of radical strokes (2) | ||
| 3 | Apr.24 | Lecture: |
| (Room－B) | Materials for calligraphy (paper, ink etc.) | |
| Practice: | ||
| Training of radical strokes (3) | ||
| 4 | May 1 | Lecture: |
| (Room－B) | How to choose models for study | |
| Practice: | ||
| Composition of characters (1) | ||
| 5 | May 8 | Lecture: |
| (Room－B) | Development of the styles of Chinese Characters | |
| Practice: | ||
| Composition of characters (2) | ||
| 6 | May 15 | Lecture: |
| (Room－C) | Development of brush technique | |
| Practice: | ||
| Study of classic models (Square－style) | ||
| O-yo Jun (Ow-yang Hsun, 557-641 A.D., Tang China) | ||
| Gan Shin-Kei (Yen Chen-ch’ing, 709-785 A.D. China) | ||
| 7 | May 22 | Lecture: |
| (Room－B) | Discrimination between what is correct or wrong, | |
| skillful or artless. | ||
| Practice: | ||
| Study of classic models (Primitive Square－style) | ||
| Sozen no Hi (monum., 185 A.D., W. Han Dyn., China) | ||
| Sekimon no Sho (〃, 148 A.D.,〃 ) | ||
| Hokaku no Sho (〃, 172 A.D.,〃 ) | ||
| 8 | May 29 | Lectures: |
| (Room－B) | Various types of mountings for calligraphy | |
| Practice: | ||
| Study of classic models (Seal－styles) | ||
| Characters on old animal bones | ||
| (1800-1100 B.C., Shang－Yin Dyn., China ) | ||
| Inscriptions on old bronze vessels | ||
| (1800-770 B.C., Shang－Yin & Chou Dyn. China ) | ||
| Chin－seal style models | ||
| (221-206 B.C., Ch’in Dyn., China ) | ||
| 9 | June 5 | Practice: |
| (Room－B) | Study of classic models (Running & half-running style ) | |
| Kukai (774-835 A.D., Heian Period, Japan ) | ||
| Ono no Tofu (896-966 A.D., 〃 〃 ) | ||
| Fujiwara no Kozei (972-1027 A.D., 〃 ) | ||
| O Gi-shi (Wang His-chin, 321-379 A.D., E.Chin Dyn., China ) | ||
| So To-ba (Su Tung-po, 1036-1101 A.D., Sung Dyn., China ) | ||
| Other Japanese and Chinese Masters | ||
| 10 | June 12 | Lectures: |
| (Room－A) | Artistry of calligraphy | |
| Practice: | ||
| Free interpretation of various styles (1) | ||
| (with different materials and tools ) | ||
| 11 | June 19 | Lecture: |
| (Room－D) | Outline of modern calligraphy | |
| Practice: | ||
| Free interpretation of various styles (2) | ||
| Original performance | ||
| (1) Textbook, paper, brushes, ink etc. may be purchased in class at cost prices. (2) Special tools will be lent by instructor. |
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